Author Archives: Liliy

Readers Like Progress or Why It’s Okay Your First Book Is Mediocre

I’ve never much been into the “writing/author” scene until recently, where it’s become a bit of a necessity. I’m in the process of getting my first finished novel together to self publish in the Spring, so I’ve been looking at blogs, seeing other authors’ trials and tribulations, and getting a feel for the community I’m stepping into.

Some of what I’ve found has been encouraging and supportive, the other half turns my stomach.

There is a huge voice on the traditional publishing side that I absolutely can not stand behind or support–at all. In fact, it almost creates an anger that boils up in my chest and makes me want to shout at them and try and figure out what’s wrong with them.

This doesn’t apply to everyone, of course. No, I’m talking to the traditionally published authors who have this attitude that there are some books that shouldn’t even be written. It’s this attitude where if a book isn’t perfect, and/or live up to a certain standard–not only should it never be published, but it shouldn’t have been written in the first place.

This attitude…I don’t get it. It literally boggles my mind and makes me wonder what sort of person could say such a thing when they too were probably horrible writers at one point in time.

It’s like the people who hate on NaNoWriMo, even though at it’s core it’s a Non-Profit group encouraging kids to write. Why would you hate on that? NaNoWriMo is an event that’s for fun. It never claims to be the way to write or how you should go about churning out novels. It’s a marathon to raise money for kids. Stop bashing on it.

But that’s a soap box for another day. Today’s lesson is the below:

Readers Like To See Progress

I’m coming at this from an art perspective–and as far as I’m concerned: Writing is part of the arts, so this should apply. I’ve been publishing a comic regularly since 2007, I’ve gone from a handful of readers to about 2000 returning readers by mostly word of mouth and volunteered linking (aka almost no promotion on my part comparatively).

And if you’ve been reading along, you’ll notice that there’s been a definite growth in the quality of my artwork and writing as I’ve updated regularly:

2007-12-02 - WaM Strip #12

2007-12-02 - WaM Strip #12

2011-11-18 - WaM Strip #599

2011-11-18 - WaM Strip #599

Do people say “You should have never posted those first strips! They’re horrible!” No. I hear “Wow! You’ve come a long way!” or “I just started at the beginning of your archive and read it twice!” I have readers who joined at the beginning and have kept reading for over four years. That’s the kind of readership you want. Would I have that readership if I had hidden my comics away until I was ‘professional’?

No, because I still wouldn’t be posting anything.

I’m a reader myself, as well, and I love seeing how art has progressed in the comics I read.  And that goes for books as well. I’m currently reading a book for a friend that’s she’s been working on for years, and I can see the progress in the writing as the book goes on. Does that mean she should have given up on it at the start? No. (Granted, it’s a bit different as her work is quite good from the start, but I STILL see it improve as it goes on!)

My editor gets excited just how much I’ve improved since I’ve started writing my own novel for the past few months. You see where this is going?

I don’t see the point in writing nine books no one will ever see, just to show off the tenth. I want to see the nine before it. I want to see you grow. I want to be that fan that grows with you. That’s what fandom is. That’s what’s fun. And that’s how you get a loyal readership.

One loyal fan for a mediocre book is worth more than nine books that never see the light of day to get that tenth one out that still might never be seen or read.

Professionals Go Through It Too, And Readers STILL Love to See it.

Okay, still don’t have you, do I? You want an example of where someone made money, right? Well how about this one! Minekura Kazuya is an amazing author. I love her work to bits and pieces. Now go compare some of her early Saiyuki stuff with her later Saiyuki Reload & Gunlock artwork. Or compare Rob Liefeld’s first run with Hawk and Dove from the 80’s with his current Hawk & Dove work. There is a change in his artwork for the better. You’re going to notice progress and a decent shift in style no matter what or who you’re reading.

I can’t think of a single artist or author who hasn’t gone through this no matter what level you’re at–there’s a reason that “Redraw It Years Later” meme is so popular on Deviantart for both mediocre and amazing artists alike. Readers love seeing the progress! It grows, it changes, and it won’t happen if someone doesn’t read it.

So What Does This Mean?

Write your book. Even if it’s bad. Write it.

Someone will like it and read it. Even if it’s a friend reading it because they like you. You just have to find them. That someone will stick with you when you put out your next book, and the next. By your third book? They’ll probably have snagged a friend in on it, and your writing is bound to have improved. Which means they’ll share it more, or catch a new eye. Continue. You improve. You gain readers. You improve more. You gain more readers. Rinse, repeat, & so forth.

It’s a slow process, that could take years even, but one or two loyal readers who love your book makes it worth it. Even if just one person likes your book–it’s been worth it. Your book deserved to be written and distributed.

What This Doesn’t Mean

That you shouldn’t put effort into it. The key here is to do your best. Get someone to proof read it for you. There’s unskilled, and then there’s lazy. Make the effort to get it right and checked. If you can pay an editor? Do that, too. If you can’t? Take that extra time to print it out and go through it with a pen yourself. Same goes for the cover if you can’t hire it out. Don’t just slap it together.

If you’re serious about writing for a living, than make sure to put double the effort into it. Grow and learn as you write and take your fans with you. Be social, be kind and learn to have a tough skin–it’s an ugly market for the self-published right now. The important part is to learn, and not give up.

If you’re just in it for the fun? There are plenty of sites out there where you can just post your writing for free from Deviantart to Fictionpress. Have some fun with it and make sure that you’re reading, too!

The Money

This is where most of the complaints come in and this stigma that all Self-Published books aren’t worth the paper they’re printed on. That it’s not even worth it if you distribute it for free. That the slush pile will rule all and nothing good will come out of it and yadda, yadda, yadda.

As someone who has read amateurish, unprofessional writing for fun on more than one occasion (Read: Most Fanfiction), I can tell you this is bull. Even a poorly written book can be fun if you come at it with the right mindset. I’ve read absolutely horrible written stories that I either couldn’t finish, or managed to put a smile on my face once or twice–so it can happen.

And let’s face it, most traditionally published worth aren’t what they’re charging either, and I still paid for it. I bought a romance book recently where the ebook was priced the same as the paperback for $7.99. Do I think it was worth $7.99? No. It was a light novel I read off and on in a couple of days. That’s worth $2 to $3 for me.

Do I think an amateur ebook is worth $0.99 just for the effort it took to put the words down & have someone proof read it? Yes. Even if the book is awful, it was worth that $0.99. You could do worse with a dollar.

I do have one correlation though: If you don’t use an editor or a proof reader, give your first few books away for free until you learn to properly edit yourself or learn basic rules to keep readers from being confused by your writing. If you can’t take the effort to find at least one person to go through and make sure you’ve dotted your i’s and ended all your sentences with a period, then I find it hard to make the effort to give you $0.99 (which is why I also check samples).

If you do take the time and effort to get an editor, a cover artist, and a proof reader–and your book is still mediocre? Go ahead and charge the $0.99-$2.99 for your first book. That’s worth it to me, just for going the extra mile. If by the time you’re on your third and forth book, you have a small audience, go ahead and bump the price up to the $3.99-$4.99 range. I think that’s fair, personally.

Besides, that’s what samples are for. Use them. Love them. No one’s forcing you to read anything.

But Liliy! I don’t see YOU reading and rating any of those mediocre Self Published books you seem to claim are okay! What’s the deal!?

Partly, it’s because I’m currently trying to get through the books I already own. I have a nasty habit of buying a book and never reading it, physical or digital. My New Year’s Resolution for 2012 is to put a dent in that list, and goodreads is definitely helping me get there (and honestly, there’s at least a shelf load of books I haven’t added. I’m horrible, I know…).

After that? Yeah, sure. If I see a book that sparks my interest, I’ll read it. Mind you, I’ll probably let you know if your writing is poor or if it’s riddled with typos in the review. I’ll also let you know if your story was hard to follow, or read. Why? Because that is one major difference between art and writing: It’s not difficult to look at artwork at any level, where poor writing can make it difficult to read.

But the point will still stand that I still read it.

It’s sort of like having beta readers after publishing. You listen to truthful critique and you either shrug it off and keep as you’re going, or take the review for what it is, improve and look forward to the day someone says “Wow! This is so much better!”

Besides, I’d rather waste my time with a mediocre written novel in a genre that I love with characters that are fun, than read a polished, ‘gatekeeper approved’ novel about a plot line I can’t get into.

The Bottom Line

Never say a book doesn’t deserve to be written.

That’s like saying because your artwork doesn’t meet professional standards, you shouldn’t upload it to Deviantart and share it. If you did your best, and are proud of it–good or bad, you haven’t wasted your time.

The attitude needs to change. Authors need to encourage writers to work and share, and grow. That’s how we learn, it’s how we get better, and the real bottom line? No one’s forcing you to read it.

Don’t discourage someone when no one is forcing you to read their book. Don’t be needlessly cruel.

Let them progress!

Roberto and Jacqueline by =liliy on deviantART

Parting Words

Have a self published novel that you’d think I’d like? Drop a comment or an @GreyLiliy on Twitter. :) If it’s something I think is interesting I’ll give it a go! (Or at least add it to the ever growing queue…)

Liliy is an Author #6

Another week, another lost seven dollars.

Ha ha, my Father has taken to motivating me by saying daily “Every day your book isn’t out is a dollar you’ve lost!” Or some variation of. He’s got a point, but he really could give it a rest. :P

After all, there is that thing called ‘A Day Job’ that currently pays my bills. So it’s rather important. I’m sure quite a few of you are out there in the same boat. Gotta’ love the Catch 22, right? To sell books you have to write them, to write them you  need time…but you can’t have time if you’re worrying about bills, which means a job, which means no time to write, and…playin’ the old record over and around again, aren’t I?

Moving on!

The Candlemaker’s Merman

I’m sitting at around 14,000 words, which is the halfway point in both the story and my target length–so we’re doing pretty good! The beta readers seem to be enjoying the story as it goes, and agree that this has a flavor very similar to WaM–which should make my comic readers happy, as I’m still a little unsure how Children of Hephaestus will be taken– It could go either way, so I’m trying not to predict anything.

I’ve also managed to outline the rest of the candlemaker’s story, so writing should go smoothly from here on out. After that it’s just a matter of re-writing, printing, and then putting it aside while I write the second adventure.

I’ve also decided to bump up my goal deadline for this. If I can write 50,000 words of a book I hate in 30 days, I should be able to write at least two 30,000 word stories by the end of January. So new goal? Get two done by January 31st, so Book 1 can take a trip to the editor (if she accepts it…I haven’t actually asked yet… XD Bad author! I know.) while I’m working on three.

Children of Hephaestus 2: Jupiter

About 10,000 words in order & about 7,000 words of various scenes that still need homes ranging from the beginning to the ending. The story is trotting along, nothing particularly interesting for this week, but you know I’m still working on it!

Interesting note: There is a great challenge in making a sequel dependent on knowledge from the first book, while still making it accessible and easy to understand to new readers. It’s so easy to be tempted to just info-dumping a summary of past events, but that doesn’t work. So, learning experience! (Insert a Fluttershy “Yay” –don’t look at me that way. You know you watch My Little Pony: Friendship is Magic like the rest of us.)

Children of Hephaestus

I’ve self-edited 7 of 29 chapters. It is slow going and I’m tempted to spend all my time writing for my other two books than actually marking up the pages for this one. My December 31st deadline looms ever closer and I can feel my editor breathing down my neck as I type this…ahhh!

Author Blog

Well, in this case it’s an IP Lawyer who also happens to be a writer’s blog. :D The Passive Voice is a great resource that links to outside articles from a lot of different, valuable sources. It’s sort of a nice little collection of everything and I find myself being linked there from time to time. I usually find something nice. :D

Liliy is a Fangirl #14

I…got nothing this week.

I read/picked up my usual comics for this week, and aside from Hawk & Dove #4, not much stood out. It’s mostly stories moving along as usual.

Oh! But I did pick up something new. Comixology started to stock The Power of Shazam, and I’ve started to pick up the issues. I think I’m six in? Nothing amazing yet, but I’ve been wanting to read more of Captain Marvel for a while since I got Billy Batson and the Magic of Shazam. So, that should be fun in the future.

Captain Marvel Lost

The Power of Shazam #4 - There's something so great about a superhero as powerful as Superman...with the mind of a little kid. Love it.

Okay, so maybe I fangirl’ed a little over Billy Batson this week. I can admit that. He’s cute! XD

*cough*

Things I need to catch up on:

  • All my series on CrunchyRoll
  • Midori Days (Still only seen the first four episodes. XD)

Midori Days is more likely going to get a post to itself, once I finish, instead of a blip in a Fangirl round up. The series is hilarious.

So…yeah! XD

Hawk & Dove #4

Dove vs Swan Part 2

We got more of their brawl - and it was awesome.

As always – Spoilers may appear! Read at your own risk, but I’ll try to make them tame. XD

Hawk and Dove #4!

And we’re back with more awesome with Hawk & Dove #4.

It was almost excruciating knowing I had to wait an extra week for it. Especially after having to wait until after I got home to read the issue, but I’ve got it now and it was another good one~

We start out with a good old interrogation of Condor. Dove tries to play ‘Good Cop,’ which works about as well as you think it might. So, Hawk just steps in and plays ‘Bad Cop’ for a while.

Watanabe suggests that it probably won’t work, but Dove is only half listening.

While Hawk beats on Condor, we’re treated to a brief flashback of Dove and Swan’s fight from the last issue. Dove basically beats the living daylights out of Swan and it’s awesome. We also get some references to Dawn’s past life that leave me wanting more info. Of course this leads to…

Swan calling Dove out for fighting back when her avatar is “Peace.” While she’s distracted, Swan stabs her and…something cool happens. I won’t go into too much detail because that would be a spoiler, and also because I’m not sure what happened at the time either. It was a little vague. (But thankfully they DO explain it later–so it makes up for the confusion at the time.)

Watanabe and Dove

Poor Watanabe, that's what I think every time I see him. *pats him*

Moving on, we go back to the interrogation room where Condor starts talking. He manages to confuse talk circles around the uninformed Hawk and Dove.

The issue ends with Condor letting them know that he can sense where Deadman is…who happened to be in the room at the time. Before he could leave, Deadman gets captured in a very cool way–you can read it for yourself–and we leave the issue with Dove vowing that she’d get him back no matter what!

And Hawk got blasted by some goons. Poor Hawk. No, seriously. I know the guy has attitude problems, but it seems like in every version of Hawk & Dove I see he’s always getting wailed on. He’s almost at woobie status by this point. XD

Conclusions

Another great issue. I’m really excited for the saving of Deadman in issue number five & in six we get to see Batman and Robin show up. So…awesome all around.

The artwork continues to be fun as well, and they’re using a lot more of that blur effect. It creates a much softer set of lines & colors than the harsher & distinct sketch lines. Looks pretty good.

There’s one panel in particular where Deadman is getting pulled away that’s gorgeous. Wish I could link it, but it’s pretty spoiler heavy. Sorry! XD

And we’ll end with one of my fav non-spoiler shots from the comic:

Dove, Condor and Hawk

Don't worry Hank, we don't know what he's talking about, either.

Liliy is an Author #5

And another week has come and gone~ And I’ve got a bit of progress! I’ve also decided to start listing my goals once in a while to see if I meet them. This is the fun part about blogging, I think. Tallying progress! :D

NaNoWriMo/Nonnative Ice

It’s done. I won (just barely passing 50,000) and we shall now forget about it. :D

Children of Hephaestus

Editing should go much more quickly now that NaNoWriMo is out of the way. I’ve currently completed five chapters with hand editing, and wrote two new scenes to help establish some characters earlier in the story.

Goals:

  • Have the draft edited and back to my editor by January 1st.
  • Figure out what I’m doing for the cover (Going back to scratch and design it again or hire someone–I can’t make up my mind.)
  • Release final novel in late spring (April/May 2012)

Children of Hephaestus 2: Jupiter

Moving along smoothly with the sequel as well. I think I’m at about 15,000 words give or take. My current goal is to get the bulk of it written, so I can finally work in the ten or so disconnected scenes that don’t currently have a snug little home in the manuscript.

Goals:

  • Have first draft finished by the time Children of Hephaestus is released.

The Candlemaker’s Merman

This is coming along nicely, too. It’s a much lighter story than most of my other works, and has a much more friendship/fantasy basis. And it’s funny. I should add that in. I forgot how much fun it was to write humorous situations.

The end goal for this is a series of connected novellas. The first book is currently a little over 9,000 words and I can see it ending happily at around 30k to 40k.

You might still have to wait a bit to see it though, as I want at least three books to be finished (but not necessarily edited) before I start to release them. This is one time where having a buffer would do me some good. *thumbs up*

Goals:

  • Finish the first book by February and start on the second.
  • Finish three books by the end of 2012.
  • Have at least the first book published by the end of 2012.

Author Blog

R.L. Stine’s Twitter When I was younger, I was addicted to Goosebumps (like every other kid my age). I ate these books up. Recently, someone pointed me to R.L. Stine’s Twitter feed and the rest was history. The man’s hilarious and definitely worth the follow.

Yeah, this isn’t really writing advice–but it’s fun and author related. Plus, if this isn’t proof that the books you loved as a kid stick with you, I don’t know what is.